Tag: FAIA

Stars and Light and Big, Big Art

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Michael Palladino, FAIA , Richard Meier & Partners Architects, Gagosian Gallery, Beverly Hills Expansion

Do you remember the most brilliant display of stars and art observed in your life (yes, stars and art—the combination)? If you were standing on the roof of the Beverly Hills-based Gagosian Gallery this evening the question would be easy to answer. Recently, design partner with Richard Meier & Partners Architects, Michael Palladino, FAIA, commanded a project steeped in memory, revisiting their original design of this gallery. Sometimes, returning to the past is beneficial, especially to an architect. Expanding or updating a project will offer its own set of unique challenges. This one—to build adaptive reuse of retail space, and expand upon the Beverly Hills-based Gagosian Gallery’s existing space to include a roof deck, library, and art preparation area—was such for Palladino and firm.

The expansion included adding 5,000 square feet to the existing 6,600. The addition, anchored by a new 3,000 square-foot, street‐level exhibition space, was designed for better use of natural light. Palladino stated in a press release, “Over 15 years and three construction phases, the Gagosian Gallery and Richard Meier & Partners, have collaborated to create exceptional galleries that take advantage of the quality of daylight we enjoy in southern California.”
The latest addition embodies the qualities of space and light which distinguish this gallery, yet departs with its expressive reuse of an existing wood-barrel-vault roof. The natural wood ceiling, trusses and steel beam, offer a distinctive counterpoint to the airfoil wing that scoops daylight into the existing gallery. The new space utilizes skylights to balance daylight from the north and south. The expansive day-lit gallery walls, which were already known for oversize, larger-than-life art, can now accommodate even larger works in gallery space with a quality of light consistent with the original Gagosian Gallery. The glazed public street façade blends seamlessly with the existing Gallery facade and provides pedestrians a glimpse into the gallery. A single 225 sq. ft. glass and aluminum sliding door at the street allows oversized artwork to be unloaded directly into the gallery and opens exhibit space to the active Beverly Hills street.

Major interior finish details include: painted gypsum board, acid washed concrete floors and natural finish maple floors. New second-level offices and a private sky-lit viewing gallery not only address the gallery’s exhibit needs, but also to house the growing staff, as there are now more administrative employees. At the roof, a sculpture terrace provides a unique outdoor setting for installations and offers views of the city and the surrounding Hollywood Hills—views which inspire and perhaps remind the observer that while moving forward and creating something better than before is always the goal, sometimes we must return to the original to do so.

Palladino, moved to Los Angeles in 1986 to open the Richard Meier & Partners west coast office, and to design the Getty Center. Palladino earned his Bachelor’s of Arts in architecture from Virginia Polytechnic Institute, and Master of Architecture from Harvard University. He is a frequent guest lecture for institutions including USC, UCLA and LACMA. Palladino co-founded the Museum of Contemporary Arts’ Architecture and Design Council in Los Angeles. In 2008, Palladino was elevated to Fellowship in the American Institute of Architects.

 

2012 Fellow Anthony Moretti, FAIA

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Anthony Moretti, FAIA; Paul L. Foster School of Medicine, El Paso, CO Architects, © Robert Canfield Photography

Through visionary work in construction documentation, Anthony Moretti developed an efficient and harmonious production process and pioneered building information modeling techniques that empower construction teams to create beautifully crafted, high-performing science, academic, and healthcare buildings.

Called a “pioneer who blazed the trail for the entire industry” by the 2010 AIA/Technology in Architectural Practice (TAP) awards jury, Tony Moretti has provided the design and construction indus¬try with a more efficient and harmonious way to work, through the use of Building Information Modeling (BIM) and Integrated Project Delivery (IPD). In 2004, when challenged by Palomar Pomerado Health to design “The Hospital of the Future,” he led CO Architects’ bold commitment to BIM, at that time an unproven technology, on the largest and most complex Revit project in the U.S., the 740,000 square-foot Palomar Medical Center. Among other benefits, BIM/IPD saved more than $8 million alone in the detailing on the project’s green roof steel truss system. This project has earned the 2010 AIA/TAP Citation for BIM Excellence, the highest such recognition in the country. At the request of the AIA TAP committee, Tony presented a live national webcast, “Using BIM and IPD to Design and Build the Hospital of the Future,” which required an encore presentation, due to viewer demand.

Tony’s sustained 25-year commitment to detailing and construction documentation for high-performance, technically complex buildings is the cornerstone of his firm’s influential industry leadership. CO Architects earned the number 12 national ranking in Architect magazine’s 2009 top 100 firms based on design and sustainability. Tony’s construction documents have been used to teach building inspection at the University of California, San Diego. Clients, contractors, and plan checkers have noted their appreciation for Tony’s clear, concise documents. Sudheer Karnik, Senior Architect at OSHPD, California’s hospital review agency, calls Tony’s drawings the “best he has ever reviewed.” His documents produce bids that are on average 4.8 percent under budgets with change order rates less than 2.5 percent over a 22-year period.

Kendall Square Building B, Cambridge, Massachusetts, CO Architects

Tony developed the “+CO Quality Standard,” a time-tested, living production standard, continuously gathering and dissemi¬nating best practices and lessons learned across all project teams. It is a body of valuable technical and design knowledge that benefits the entire profession by advancing the evolution of building types and design solutions and fostering the cross-pollination of ideas across design and construction teams.

Tony’s hands-on work is manifest across a distinguished collection of more than 60 projects, recognized with multiple national, state, and local AIA awards, 5 LEED certifications (with 4 more pending), and numerous international and national publi¬cations. These projects exhibit a consistent beauty in their craft, while executed in a variety of contextual settings and with a diverse range of materials, designers, and teams. They span the science, academic, healthcare, public, and civic arenas in 8 states from Hawaii to Massachusetts.

In addition to his national BIM webcast, Tony is interviewed in national publications and widely used information sources, in¬cluding the McGraw Hill Smart Market Report, CivilEngineerGroup.com, and Autodesk.com. An active member of the AIA Los Angeles TAP committee, he has presented BIM case studies to members of AIA Los Angeles. He has directed his firm’s AIA CES program for 12 years, overseeing 74 separate learning programs, 12 of which he designed himself. These courses help architects learn cutting edge practices and also help recent graduates pass the Architect Registration Examination. As a mentor, Tony has had immeasurable influence on the profession, cultivated through years of daily face-to-face teaching and collaboration with the architects, engineers, and contractors he encounters in his work.

Palomar Medical Center West, BIM views, CO Architects

 

Meckel Reads

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Our Trusty Reporter recently sat down with David Meckel, FAIA, to learn how the Bay Area cognoscento keeps up with the news . . . in print. His method is elegantly refined.

“I subscribe to two dailies and three Sunday editions: the Wall Street Journal and the San Jose Mercury News, and—because you have to read your local paper, whether you like it or not—the San Francisco Chronicle, plus the New York Times on Sunday. Before I leave the house in the morning, I scan through them, read some of the lighter stuff (The Wall Street Journal summaries column, you read that, and you’re set for the day), pull out things I want to read, fold them, and put them in my bag. I’m looking at the news for who would benefit if I shared it with them.” He doesn’t bother with The New York Times on weekdays, confident that everybody else will keep him abreast of it.

David stops for coffee each morning at one of his favorite San Francisco spots. Once at Caffe Centro on South Park, Sightglass in SOMA, or Piccino in Dogpatch, he pulls out the stack of neatly folded articles, reads them, and saves the good ones to share. “Almost everything I love is in the business section, because it’s there first, before it hits ‘Arts & Leisure.’ The Mercury News business section is awesome, the Chron . . . not so great.” He notes that business writers write more from research, so their observations are more useful. He’s interested to know why things happen in the physical world; for example, he is fascinated by the expanding use of alternative fuels and the ripple effect this creates.

Arriving at his desk at California College of the Arts (where, by choice, he’s the only upper-level administrator without a private office) he cuts out the articles and photocopies them, resizing them to 8 ½” x 11”. Some, he posts on his “news wall”—a ten-foot row of photocopies at eye level in one of the campus’ most trafficked passageways—items about design, architecture, and art, often in their business context, with the names of alumni, faculty, and students highlighted or encircled with his trademark cloud. As the school term progresses, the pages stack up.

David also subscribes to a number of blogs, including Kristen Richard’s ArchNewsNow and Core77. His current favorite in this category is The Atlantic Cities. Even though he reads the print version of the Atlantic, he likes the urban focus and data visualization featured in Richards’s. “When I’ve sent a link to a colleague from ArchNewsNow or other link aggregation sites, in addition to ‘thanks,’ the second most common response has been, ‘I didn’t know you read Der Spiegel.’”

Articles go into folders at his desk, in categories such as interactive technologies, energy, and new business models.

And the originals? They go into envelopes, tagged with Post-Its with elaborate messages like, “Bob—look—DM,” and into the mail to colleagues near and far. He likes to send the originals, because they often include graphics that web versions omit. “It’s a great way to keep your business relationships alive. It’s non-threatening, and it doesn’t require a response.” Yet he does get responses, often gratifying, and sometimes much later: “We’re doing this now, and we found out about it through the thing you sent us.”

 

2012 Fellow Kevin Daly, FAIA

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The Practical Magic of Architecture: 2012 Fellow Kevin Daly, FAIA

Photo by William Staffeld / © Cornell University

Kevin Daly, FAIA’s architecture is based on the belief that architecture has the power to transform the everyday built environment. His work interweaves innovation in technology and fabrication, economy and livability, materiality and form.

Over his twenty-year career, Kevin Daly has defined a design process that upholds the practical magic of architecture—an alchemical conjunction of craft, materials, and form. Bolstered by abundant research, he has demonstrated the benefits of advanced, unconventional building technology in works that are consistently recognized in publications and awards and range from public schools, custom residences, and university buildings to affordable housing.

Camino Nuevo Charter Academy High School, Los Angeles, photo © Tim Griffith

A woodworking-focused design/build practice that Daly founded during his college years was influential as he explored the craft of building and went on to begin his career in the studios of Hodgetts + Fung and as a designer at Frank O. Gehry and Associates. At their offices, he witnessed a depth of understanding of material processes, a willingness to improvise, and the ability to find poetic potential in everyday urban conditions. Daly has carried those lessons into projects of all scales, from residential to institutional. Since founding Daly Genik in 1990, he has incorporated these idioms and broadened their potential to establish his own artistic voice.

Art Center College of Design, South Campus, Pasadena, photo © Benny Chan/Fotoworks

Daly is particularly recognized for reclaiming and transforming sites characteristic of the postwar city, turning generic background buildings into models of community identity. Noted architecture critic Nicolai Ouroussoff, writing about Daly’s inner city charter schools, claimed they are some of “the most inspiring projects built in Los Angeles in years” and models of “a thoughtful, low-cost work of architecture that embodies the kind of civic purpose and progressive ideals that so many public institutions give lip service to but rarely fulfill.” The decade-long series of five projects for Camino Nuevo Charter Schools has garnered numerous awards, including the 2003 Bruner Foundation Gold Medal and a 2010 Honor Award from the AIA, was featured in Newsweek, Architectural Review, Metropolis, Architectural Record, and The New York Times, and is considered a model for urban schools by organizations as diverse as the N.E.A., the L.A. Unified School District, and the National Charter School Association.

Harvard University Art Museums Art Center, Cambridge, MA, rendering by Daly Genik

Projects by Kevin Daly express his belief in an architecture that performs on every level: environmentally, structurally, economically, and aesthetically. The interrelation between technology and sustainability is evident in the Art Center College of Design South Campus, where Daly designed one of the first North American installations of an ETFE skylight system, now a national case study in the integration of high performance building systems with formal objectives. Likewise, at both the Tahiti Affordable Housing and at the Edison Language Academy, environmental strategies operate holistically, with site plans that exceed natural lighting and ventilation parameters while simultaneously managing water resources to create environmentally responsible public buildings. For Daly, sustainability concerns physics rather than features, allowing the architect to bring structure, program, and form together.

Tahiti Housing Complex, Santa Monica, photo © Tim Griffith

Kevin Daly has established a critical practice that is nationally recognized, while simultaneously engaging the profession as well as the local community. Almost every project has been published nationally or received awards for design excellence. He has served on numerous AIA awards juries, won the first AIA/LA Firm of the Year Award, held distinguished university chairs at Berkeley and Michigan, and is a regular faculty member at UCLA. Through this teaching experience, he fosters a next generation of architects across the country. He has a strong belief in creating an architecture that is within the reach of everyone, and he consistently donates his time and expertise to pro bono efforts such as USC’s Center for Sustainable Cities and the Santa Monica Rape Treatment Center. Daly’s practice is the embodiment of architecture that is surprisingly optimistic, inherently innovative, and intrinsically pragmatic.

This article is drawn from Kevin Daly’s AIA Fellowship submittal. Photos of Kevin Daly courtesy of Cornell University, College of Architecture, Art, and Planning.

Valley Center House, San Diego County, photo © Grant Mudford

 

GREGORY BLACKBURN, FAIA, ELEVATED TO FELLOWSHIP

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Gregory Blackburn, FAIA, a member of AIA San Francisco, was elevated to Fellowship in the AIA this year. He was recognized for leadership in the evolution of engineering and life science research and instructional facilities. By artfully fusing a building’s technical demands with the human need for interaction, Blackburn has created inspired new models for flexible teaching and research space. His innovative research buildings for a wide range of national and international universities not only spark innovation and progress inside academia, but also are widely recognized as benchmark projects, both for architects and facilities owners.

Blackburn unites buildings and exterior space to create powerful connections within the campus environment. The exterior spaces realized by his buildings lie at the heart of the design and are inseparable from the buildings themselves. They embrace their responsibility to be resonant parts of a greater campus community while maintaining their singular identities and creating powerful catalysts for the enduring physical evolution of their place. By thoughtfully considering the spaces between building elements, Blackburn creates memorable places of lasting strength and significance that transcend simple function and bring meaning and coherence to the larger campus communities in which they exist. His buildings acknowledge campus heritage and history, while establishing a new design standard, repairing incomplete and damaged contexts, and generating the form and character of new ones.

The conceptual clarity and consistent logic of Blackburn’s work is manifest in the integrity of its construction. Working with a materials palette drawn from the project’s context, he employs construction technologies to distinguish those materials, accentuating their role in defining the campus’ character. His work tells a story about the building’s making and the nature of its materials, providing a distinct visual identity for the institution and raising the level of design on the campus.

Blackburn is an active participant with the Society for College and University Planning, and has spoken extensively at a wide range of regional, national and international professional conferences. He has served on three occasions as a panelist and design review board member for the National Institutes of Health, and has twice served as Executive-in-Residence for the Department of Architectural Studies of the College of Human + Environmental Sciences at the University of Missouri. He has long served as a mentor and advisor to young designers and interns in the profession, and is active in supporting organizations within his community through both membership and active board participation.

architecture, Fellowship, education, research

Anshen+Allen, now Stantec, Laboratory Exemplar, Stanford site, Gregory Blackburn, FAIA, principal architect

In addition to more than two dozen completed academic science buildings, Blackburn’s work includes most recently the Laboratory Exemplar, a self-funded R+D study by Anshen+Allen (now Stantec), which examines the way research laboratory buildings have been designed through history, including current state-of-the-art approaches, and tries to anticipate how they will need to be designed, constructed and occupied in our near future.

architecture, Fellowship, education, research

Anshen+Allen, now Stantec, Laboratory Exemplar, Stanford site, Gregory Blackburn, FAIA, principal architect.

Working in collaboration with institutional partners at Stanford and Yale Universities, and with the support of a select team of engineering and design collaborators, Blackburn’s team re-formulated realistic environments for discovery, to provide innovative platforms for conducting new millennium science, while radically reducing energy and resource consumption.

architecture, Fellowship, education, research

Anshen+Allen, now Stantec, Laboratory Exemplar, Yale site, Gregory Blackburn, FAIA, principal architect.


The institutional partners contributed real campus building sites and functional programs already in development. Working within these realistic parameters, the design team developed and modeled the performance of new idealized building systems and building design, thinking “out-of-the-box.” Throughout this process the institutional partners participated in reviewing, evaluating and extending these ideas, to bring them closer to application.

Ultimately, through the incorporation of renewable energy sources, this work seeks to reverse the traditional paradigm of research buildings as extreme energy consumers, instead casting our future centers of discovery as energy producers in the campus setting.

This study also offers insights into planning and design approaches that would potentially reduce the time to beneficial occupancy. There is a significant conflict between the pace of architecture and that of science. Currently, the programming, planning, design, construction and commissioning of a new science building can take up to five years. Science and technology are moving at a much more rapid pace. In a five-year period, the need for a particular research building, or the manner in which it is outfitted, may have changed dramatically. This study proposes alternative design and fabrication approaches, which would potentially reduce this time by 40-50%.
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Thom Mayne, FAIA

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Diamond Ranch High School, Thom Mayne FAIA, 2007 Maybeck Award

Photo © Morphosis

Diamond Ranch High School, Thom Mayne FAIA, 2007 Maybeck Award

Photo © Morphosis

Thom Mayne, FAIA, 2007 Maybeck Award

Photo © Thom Mayne


2007 Maybeck Award
Thom Mayne, FAIA


The creative tension of the 1960s led a young Mayne to draw a wide variety of influences into his design process. “I was part of a generation that started questioning what I saw as the somewhat introverted nature of architecture,” he explained in a 2011 interview with the AIACC. “It was the first signs of what we now call globalization…. The interests, or the initiating acts, that stimulate architectural ideas were moving outside of the discipline.”

Mayne founded Morphosis in 1972 in Culver City; since gaining worldwide notice for 1978’s influential 2-4-6-8 House, he has led the firm in a diverse range of building and urban planning projects throughout California and around the world. His designs are described as unconventional, even otherworldly (as in the recent San Francisco Federal Building), but always geared toward building community and social interaction.

 

AIACC Announces Jonathan Segal, FAIA, as the 2013 Distinguished Practice Award Recipient

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The American Institute of Architects, California Council (AIACC) announces Jonathan Segal, FAIA, of San Diego as the 2013 AIACC Distinguished Practice Award recipient. This annual award recognizes significant contributions to a specific building type or practice area, as well as an individual architect’s work, responses to challenges and innovations within the design and construction process, and achievement of design excellence through a collaborative spirit. This award recognizes a career of dedicated commitment to the built environment.

Established in 1989, Jonathan Segal FAIA & Development Company is known for its design and development of medium- to high-density residential and mixed-use projects. Segal has pioneered the architect’s role in the development process, showcasing his “architect as developer” philosophy in such innovative projects as the Kettner Row & Little Italy Neighborhood Development, the first attempt to create fee simple single-family convertible housing in downtown San Diego; The Union, San Diego, an adaptively reused, sustainable affordable residential housing unit for which Segal acted as owner, developer and contractor; and The Q, San Diego, a sustainable residential and retail building that Segal first designed as an office building but, facing changing markets, resourcefully converted to loft apartments and retail.

Segal’s firm has received more than 60 national and local design awards, including six National AIA Honor Awards and Residential Architect’s 2012 Project of the Year Award for The Charmer, a mixed-use housing and retail project in San Diego.

Segal has shown consistent commitment to mentorship and to the advancement of the architectural profession, the Awards jury noted. He has lectured throughout the United States and Europe, offering his lecture series “Architect as Developer” live and online. Recently, Segal co-founded Woodbury University’s Master of Architecture in Real Estate Development program, a hands-on, studio-based curriculum that aims to bring the unique perspective of the architect into a leadership role in building development.

“Jonathan Segal is an excellent practitioner,” the Awards jury commented, “and in his firm, he has created a unique business model that has changed the way architects practice. He demonstrates a strong commitment to community involvement, particularly in the city of San Diego, and has dedicated himself to the profession as an educator.”

The AIACC congratulates Jonathan Segal on his impressive accomplishment.

 

2013 Lifetime Achievement Award Recipient, John E. MacAllister, FAIA

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The American Institute of Architects, California Council (AIACC) announces John E. “Jack” MacAllister, FAIA, as the 2013 AIACC Lifetime Achievement Award recipient. This award is presented to an individual in recognition of outstanding contributions to the improvement of the built environment and the architectural profession, as well as for contributions to the lives of the clients and citizens served by the profession of architecture.

MacAllister’s 57-year career in architecture is distinguished by a rare comprehensiveness, exemplifying consistent excellence across the many facets of the discipline. A rigorous and accomplished designer, he led the design and construction of the Salk Institute in La Jolla at the age of 25, creating in the Institute a timeless and exquisitely detailed work. In the years since, MacAllister has been responsible for dozens of distinguished, award-winning buildings throughout the world, with a particular emphasis on innovation in medical and academic laboratories.

MacAllister has been a pioneer in the application of digital technology, working with leading-edge architectural CAD systems since 1971. In each of the firms he led—MacAllister, Rinehart & Ring (1968-1976), Bobrow-Thomas Associates (1980-1986), Anshen+Allen, Los Angeles (1986-1991), Anshen+Allen, San Francisco (1991-1995), and NBBJ California (1995-2003), he took a forward-thinking approach with his integration of digital technology in design, construction documentation, and practice management. An incomparable practice manager, he has been responsible for reinvigorating and expanding several of these firms, as well as sharing his expertise as an advisor to many other major practices.

A valued mentor to generations of younger architects, MacAllister has taught at the University of Southern California and the University of California, Los Angeles. He co-authored USC’s five-year Bachelor of Architecture program and has served as a visiting critic and lecturer at over a dozen other professional architecture schools.

“The breadth of Jack MacAllister’s accomplishments is amazing,” stated the Awards jury. “His contribution to the Salk Institute was just one of many seminal design projects that shaped the practice of architecture. He is incredibly gifted in foresight, artistry, commercial sensibility, and so many other aspects of the architectural profession.”

The AIACC congratulates Jack MacAllister on his impressive accomplishment.

 

Joseph Esherick, FAIA

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Joseph Esherick FAIA, 1992 Maybeck Award, Sea Ranch Homes

Photo © EHDD

Joseph Esherick, FAIA, 1992 Maybeck Award, Wurster Hall UC Berkeley

Photo © Ronald Partridge

Joseph Esherick, FAIA, 1992 Maybeck Award

Photo © Mark Darley / ESTO

1992 Maybeck Award
Joseph Esherick, FAIA


Esherick earned notice in the 1950s and 60s for his residential architecture in the San Francisco Bay Area and Sonoma County, especially in the Sea Ranch community. He designed with the clean, slanting lines and redwood shingles of the Bay Tradition, a distinctly Californian style that Maybeck himself had pioneered.

Although his buildings represented that tradition, Esherick never had—or wanted—a “signature style.” He saw every site as a problem requiring a unique solution; this led to a diverse body of work, every building a creative response to the environment around it and to the needs the building would satisfy. Esherick brought this design sensibility to Esherick, Homsey, Dodge & Davis, the San Francisco firm he led for over twenty years. His most iconic work with EHDD included the repurposing of the historic Cannery building, which in 1968 marked an early example of adaptive reuse.

 

Frank Gehry, FAIA

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Frank Gehry FAIA, 1997 Maybeck Award, Walt Disney Concert Hall

Photo © John O’Neill

Frank Gehry FAIA, 1997 Maybeck Award, Venice Beach House

Photo © Ilpo Sojourn

Frank Gehry FAIA, 1997 Maybeck Award,

Photo © Frank Gehry

1997 Maybeck Award
Frank Gehry, FAIA


Los Angeles architect Gehry belongs to the postmodern deconstructivist school of architecture, known for his unpredictable, challenging artistic structures. Developing new design technologies to make his buildings possible, he has become one of contemporary architecture’s most important figures.

California is home to numerous notable Gehry buildings. His own offbeat Santa Monica residence, completed in 1971, was the project that initially brought attention to his work. It received the 2012 AIA National Twenty-five Year Award, “recognizing architectural design of enduring significance.” More recent significant projects in Los Angeles include the whimsical “Binoculars Building” and the sweeping metal curves of the Walt Disney Concert Hall. He has also designed extensively outside the realm of architecture, creating sculpture, furniture, housewares and even jewelry. Now in his 80s and still leading Gehry Partners, LLP, Gehry is a powerful voice for the value of design, particularly “iconic” architecture and its role in society.