Tag: Gensler

Honor Award for Interior Architecture: HyundaiCard Airport Lounge

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AC_Awards_Hyundai_Billboard

HyundaiCard Airport Lounge, photo © 2011 Ryan Gobuty|GENSLER

Located at Incheon International Airport in Korea, this 2,690 square foot project offers an exclusive environment and unique travel assistance for HyundaiCard’s premium Black Card members. Led by Design Director and Senior Associate Philippe Paré, AIA, from Gensler’s Los Angeles office, the lounge is a counterpoint to the surrounding visual noise and frenzied airport activity. Paré says, “The parti is deceptively simple. Like an organized suitcase, this monolithic object contains all the information, accessories, entertainment, and gifts needed for a memorable travel experience.”

Rather than a static place for waiting, it is a dynamic space one passes through to better prepare for the trip ahead. The power, aura of mystery, and timelessness of such an abstract form encourage visitors to discover the space much like a sculpture or an art installation. The HyundaiCard space shifts the paradigm of a traditional lounge by combining it with retail and museum programs. Among the unique features of the lounge are custom vending machines, fantastic dream-like art movies by Hiraki Sawa commissioned specifically for this project, and personalized FIDS (flight information display systems). Also, there are two virtual skylights in the black box, both of which move slowly through the color spectrum of the sky.

Left, Phillipe Paré, AIA, Design Director, Gensler L.A.;
right, HyundaiCard Airport Lounge, photo © 2011 Ryan Gobuty|GENSLER.

All materials were selected to create a timeless, yet contemporary, atmosphere. Minimal in its expression, the sleek black and white palette sets the stage for a bold architectural statement, while sophisticated construction details impart an understated level of refinement. The use of color is limited to HyundaiCard merchandise, further emphasizing its exclusivity. Within the constraints of a small envelope, reflective surfaces provide visual relief and lend the space an airy feeling, while cove lighting plays up the ethereal atmosphere of the lounge.

“This lounge distinguishes itself from others by offering generous amounts of personal space. Fewer seats translate into a more comfortable and exclusive environment, thus avoiding the impression of a ‘sea of chairs’ prevalent in most airport lounges around the world,” says Paré, a native of Montreal, Canada. The overall experience is a complete departure from the frenzy of air travel.

For more information on this award winning project click here.

 

HyundaiCard Lounge, Incheon Intl Airport, South Korea

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Air Lounge - Incheon International Airport, AIACC Design Awards, interior architecture

Photo © Ryan Gobuty – Gensler

Air Lounge - Incheon International Airport, AIACC Design Awards, interior architecture

Photo © Ryan Gobuty – Gensler

Air Lounge - Incheon International Airport, AIACC Design Awards, interior architecture

Photo © Ryan Gobuty – Gensler


2012 HONOR AWARD FOR INTERIOR ARCHITECTURE

Air Lounge-Incheon International Airport, South Korea

Architect: Gensler

As a counterpoint to the surrounding visual noise and frenzied airport activity, planning for the space was defined by the unexpected convergence of lounge, retail and museum programs. The proposed part is deceptively simple, with functions arranged in a freestanding “black box”.
Click here to view project submittal form.

 

Inside Archinect, A Precursor to Social Media

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Interview with Archinect’s founder and creative director Paul Petrunia Bernard Tschumi Architects interview with Archinect’s founder and creative director Paul Petrunia

The economy? “I definitely have noticed an improvement in the last few months.”

Why drop in an interview with Archinect’s founder and creative director Paul Petrunia on the MDC blog?

Archinectis, well. . .bustling with architects, designers and firms who drop by the site’s highly trafficked job boards and community forums. The latter have become the net’s sweet-spot for architects Well, on any given day, looking for advice on topics ranging from the most mundane to the most ephemeral. The former recently posted available positions in OMA, Bernard Tschumi Architects and Gensler. So, we wanted to give AIA members an inside look at the site they often use and visit.

Launched in 1997, by Paul Petrunia, a SCI-Arc graduate who’d picked up web development skills as he worked his way through school, Archinect recently expanded conversation capabilities via news and feature briefs. But when we corralled him for this interview about his site the first thing we had to ask him was:

Is the economy improving for architects? And what part of the country was it picking up?
I definitely have noticed an improvement in the last few months. The majority of the work is still in the major urban centers. With Archinect, it’s especially picking up in New York and Los Angeles—probably more so New York.

That doesn’t necessarily represent the entire country because the majority of Archinect’s users are [in those cities]. And, I don’t know if that’s necessarily representative of positive signs for architecture’s growth because in the last couple of years a lot of firms have shut down or merged with larger firms. So, that the fact that firms are hiring doesn’t necessarily mean that there’s more work [in a larger sense].

But we have noticed an uptick in the last few months—for sure.

Print publications such as Architectural Record and The Architect’s Newspaper now have a strong and dynamic digital presence, but you started on the web—was the approach different?
Good question. I started with Archinect with the plan of creating a model for not only publication but interaction. My goal from the beginning was mostly based on creating a platform on which the community could be directly involved and interact with the content. That type of thing would not be possible at all in print.

What did you use to drive that interaction? What content?
There were a number of features that I released back in the beginning that helped elevate traffic. I invited very prominent designers from other industries to create and design splash pages reflecting their ideas of architecture. Those other industries started spreading news of Archinect around. It became viral outside of the architecture world, which was one of my original intentions—to make architecture more open to the masses.

Another thing was the development of the discussion forums that created a lot of interactivity between the users and also with me.

To go beyond the forums, we had a series of online live discussions with prominent members of the architecture [field] and other related design industries. Specific events that would bring people in and [allow] them to interact with designers that they had only read about prior to that.

It was a pioneering time on the web—all of these types of activities were brand new. There weren’t other forums at the time to discuss these issues within a young, progressive-minded architecture community.

What’s interesting is—so much of this was before social media tools became available. You were building a digital community with, well, rocks.
A lot of websites—that do similar [activities] to what Archinect does—rely a lot on the social networking sites for interactivity and community building effect.

“We jumped the gun on some of the services social networking sites offer.”

What the social media sites provide—we do internally. So, we kind of jumped the gun on some of the services social networking sites offer. But, I really had to push to get the word out—myself —back in the beginning, using similar strategies that social networking sites do.

Have you chatted with Jeanne Gang, FAIA? She’s looking forward to speaking at the MDC. You’ll find an exclusive AIACC preview with her here.

Why are so many architects privately giving kudos to Mark Mack for his critique of critics?

Check out the video interview we grabbed with conference chair Lawrence Scarpa, FAIA, on the roof of his home, the Solar Umbrella, here.